Congress for Cultural Freedom

The Congress for Cultural Freedom (CCF) was an anti-communist advocacy group founded in 1950. In 1967, it was revealed that the United States Central Intelligence Agency (CIA) was instrumental in the establishment of the group, and it was subsequently renamed the International Association for Cultural Freedom (IACF). At its height, the CCF/IACF was active in some thirty-five countries and also received significant funding from the Ford Foundation.

Creation of the CCF

The Congress was founded at the Titania Palace in West Berlin on 26 June 1950 to find ways to counter the view that liberal democracy was less compatible with culture than communism. It may have been started in response to a March 1949 peace conference at the Waldorf-Astoria Hotel in New York City at which many prominent US leftists and pacifists urged for peace with Stalin's Soviet Union. Some of the leading lights attending the Titania Palace conference included Franz Borkenau, Karl Jaspers, John Dewey, Ignazio Silone, James Burnham, Hugh Trevor-Roper, Arthur Schlesinger, Jr., Bertrand Russell, Ernst Reuter, Raymond Aron, Benedetto Croce, Jacques Maritain, Arthur Koestler, James T. Farrell, Richard Löwenthal, Robert Montgomery, Melvin J. Lasky, Tennessee Williams and Sidney Hook.

International Organizations Division

When the CIA's International Organizations Division was created in 1950, the Congress was one of the projects which came under its purview. Two agents in the congress, Michael Josselson and Lawrence de Neufville reported via several layers of bureaucracy to IOD head Tom Braden.

The real objectives of the Congress were clarified. It was not to be a centre for agitation, but a beachhead in western Europe from which the advance of communist ideas could be halted. It was to engage in a widespread and cohesive campaign of peer pressure to persuade intellectuals to dissociate themselves from Communist fronts or fellow travelling organizations. It was to encourage the intelligentsia to develop theories and arguments which directed not at a mass audience, but at that small elite of pressure groups and statesmen who in turn determined government policy.

Activities

The Congress managed to obtain enough funding to permit it to operate offices in thirty-five countries, maintain a large staff, sponsor events internationally, and produce numerous publications. In the early 1960s, the CCF mounted a campaign to discredit the Chilean poet Pablo Neruda, an ardent communist. The campaign intensified when it appeared that Neruda was a candidate for the Nobel Prize in 1964.

Exposure of CIA involvement

In 1967, the magazine Ramparts and the Saturday Evening Post reported on the CIA's funding of a number of anti-communist cultural organizations aimed at winning the support of Soviet-sympathizing liberals worldwide. These reports were lent credence by a statement made by a former CIA covert operations director admitting to CIA financing and operation of the CCF. Today, the official website of the CIA (https://www.cia.gov/) states that "[t]he Congress for Cultural Freedom is widely considered one of the CIA's more daring and effective Cold War covert operations."

Theories about the Australian arm of the IACF have abounded since 1975, when then Australian Governor-General John Kerr, an IACF member and -- according to William Blum, as cited by John Pilger -- a member of the executive board of the Australian branch, dismissed the government of then Prime Minister Gough Whitlam. This move has been described by some as a coup d'etat engineered from the United States.

In December 2005, the Washington Times published a commentary by Paul Greenberg, in which Greenberg praised the activity of the CCF and equates it with the recent activities of the Bush administration, where government money was used to purchase the services of Iraqi and American journalists and editors, in order to publish stories favorable to the US invasion of Iraq.

Greenberg freely admits that the CCF was funded through CIA fronts, and singles out for praise the role of Professor Sidney Hook, who founded the US predecessor to the CCF, Americans for Intellectual Freedom. Greenberg also notes that at the founding conference of the CCF in Berlin, the honorary chairmen included John Dewey, Bertrand Russell, Benedetto Croce, Karl Jaspers and Jacques Maritain.

Legacy

Today, records of the International Association for Cultural Freedom and its predecessor the Congress for Cultural Freedom are stored at the Special Collections Research Center of the University of Chicago's Library.

People associated with the CCF

• Anthony Crosland
• Brian Walden

CCF/IACF-funded publications

Some of the Congress publications include:

• Quadrant - a political publication of the Australian Association for Cultural Freedom
• Encounter (1953-1990) - published in the United Kingdom for international distribution
• Solidarity - a cultural, intellectual and literary monthly magazine in the Philippines

Literature

• Peter Coleman, The Liberal Conspiracy: The Congress for Cultural Freedom and the struggle for the mind of post-war Europe, New York 1989 [sound survey]

• Michael Hochgeschwender, Freiheit in der Offensive? Der Kongreß für kulturelle Freiheit und die Deutschen, München 1998 [comprising academic study on the origins, in German]

• Matthias Hannemann, 'Kalter Kulturkrieg in Norwegen?: Zum Wirken des "Kongreß für kulturelle Freiheit" in Skandinavien', in: NordeuropaForum (2/1999), S. 15-41 [on the regional structure of the CCF's work and the commitment of Haakon Lie and Willy Brandt]

• Frances Stonor Saunders, Who Paid the Piper?: CIA and the Cultural Cold War, 1999, Granta, ISBN 1862070296

• Frances Stonor Saunders, USA: The Cultural Cold War: The CIA and the World of Arts and Letters, 2000, The New Press, ISBN 156584596X

External links

• libcom.org: The Cultural Cold War http://libcom.org/history/corporate-state-intervention-arts
• Peter Coleman, Supporting the Indispensible, New Criterion], September 1999.