Difference between revisions of "User talk:Billy"

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(i wonder...)
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[[User:Paul|Paulo]]
 
[[User:Paul|Paulo]]
  
Billy, I have a version of the Nation piece without all those breaks.  can ii paste it into the iedss talk page?
 
  
--[[User:David|David]] 12:32, 5 October 2007 (BST)
 
  
Yep put it in and I'll edit it into the text - I think the ISC and this lot are shaping up quite well in regards of the CCF, IRD timeline: the adam watson character I did last night was a real player in both
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Billy,
  
By all means change it as you please, Mary, it is by no means my specialist subject and I do tend to make the pages into little essays: so feel free.  I happened by it earlier today and I remember starting it off but can't remember why...
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very interesting stuff on the BAC and 21s Century Trust.  Can you try and use the refereincing system rather than just linking to a page.  I know it is a pain but it enables use to give the full ref and not just a link,
  
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Also, can yu make sure that you include a meaningful caption on each of the images to explain how they relate?  They should also mostly be sourced if theyr are showing something - eg the one with the bomb path.  where is that from?
  
 
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--[[User:David|David]] 08:51, 21 August 2008 (BST)
On [[Andrew Bearpark]]: No you didn't start the page.  History is here: http://www.spinprofiles.org/index.php?title=Andrew_Bearpark&action=history.  [[FreePlay Foundation]] has some of the stuff...
 
--[[User:David|David]] 07:45, 20 November 2007 (GMT)
 
 
 
Have you been out with Amy Winehouse and Pete Docherty? "Feel free!" "Feel Free"?  feel utterly constrained more like.  I've actually been putting all my EI stuff on a blog —that's where I'll be doing my free feeling, I just happened to note that someone had chopped the head off one of the entries in another attempt to improve it — an interesting and experimental approach.  Glancing at the history section I also noticed a few choice comments on my old stuff 'entirely unnecessary' being my fave.  So no I won't be feeling free with EI in respect of adding anything to it: as I'm sure you'd agree, the great god of scientific objectivity has to be appeased.
 
 
 
there's a million little avenues to go down with the guy, I thought it might refer to the ones in the Mirror but old Shrimpton is prob. talking about the well known one and just brazening it out, don't think I found much on it.  Dame Pauline could do with a similar treatment - the fact that she is hanging out with these people is a bad one for her I think.  Would have been of interest to compare his attitudes on saddam and pinochet a bit more: I did do a bit on this but I don't think i saved it properly or something.  I'll go back over the hood stuff but I think I'm finished with it: perhaps it would make a better essay for spinwatch: he needs watching alright.
 

Revision as of 07:51, 21 August 2008

Hi Billy 'including the exposure of the Abu Graib “hood” photograph as a fake.' - What?! What is his claim?

--David 09:43, 11 December 2007 (GMT)

John Berger replies...

The nature of imagery and the response of the viewer isn't cryptic as such, in my opinion. Nor do they lend themselves to a precise definition. How do I know what you see when you look at an image? I would say they were illustrations in a very broad sense. Their purpose is to stimulate the readers imagination which extends ('detournment') their specific cultural context: in a sense they are out of context in another recontextualised. As to what they are specifically, 'decrypted' as it were: I don't know, all i can say is that they 'felt' appropriate, they represent a sensibility, a mood — there is no specific message which is encoded.

But what are they? Is there a simple explanation: one that would satisfy people who have no imagination, no interest in visual images as such, people who just what to be told what's what and who want gold to be turned back into base metal. Possibly, but is there a simple one liner, a punchline, a soundbite, something quick so that we can all get on with our lives. Yes there is, but there is a penalty here — the reader will never really know if what they are being told is just made up on the spot: simply fabricated.

The first image is very simple: what do you see. You see a man in a big wig. the term 'big wig' having a cultural meaning which can be related to the board of directors at Diligence: they are 'big wigs.' The image has a man whose wig is so big the other man needs a big long stick to put his hat on — 'surely he is the biggest wig of all' could be the caption. Historically the image evokes the US and UK's past: the long tradition of commerce and affiliation of which Diligence is a contemporary manifestation, therefore the image is used as an epigram or a logo for the company, much the way they use such imagery on their own website.

The second image is from the TV program referred to in the text — it posits a casual direction.

The third image is taken from a Tory party website on juvenile crime but is put alongside references to the war in Iraq to become at first a slightly abstract pattern, a slightly ambiguous texture almost, perhaps representing a bullet hole in glass. This carries with it connotations of perhaps a car assassination, penetration, shattering something dangerous to touch, an emblem of violence, yet an odd spiders web.

The next image is a graphically explicit photograph of the feet of victims of the Iraq war which is the source of Diligence's money. It is a reminder of the cost of war in human terms and is placed alongside the advisory board to remind them and any other reader of that cost and effect.

The last image is a still from Kubrick's Dr. Strangelove. The actor is Sterling Hayden who regretted his role in the McCarthy witchunts of the 50s and 60s enough to play Brig. Gen. Jack D. Ripper (all the characters in the film have quite funny names). Brig. Gen Ripper has become synonymous with the mental effects of the cold war and its relation to the 'war monger' and its relation to the extension of US power over the globe. It is used here to sum up, perhaps posing the question 'are these people any different or any less trustworthy?'

Just take them out if they bother you.

struggling with new ref system

the board members come from City Limits article as far as i know.

i wonder...

Hi Billy

I wonder if it is effective to put non-related graphics in an article...

Paulo


Billy,

very interesting stuff on the BAC and 21s Century Trust. Can you try and use the refereincing system rather than just linking to a page. I know it is a pain but it enables use to give the full ref and not just a link,

Also, can yu make sure that you include a meaningful caption on each of the images to explain how they relate? They should also mostly be sourced if theyr are showing something - eg the one with the bomb path. where is that from?

--David 08:51, 21 August 2008 (BST)