Difference between revisions of "Video Arts Television"

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==''Free to Choose''==
 
==''Free to Choose''==
After failing to find a production company in the United States sufficiently committed to the neoliberal philosophy, [[Milton Friedman]] and his allies turned to Video Arts Television to produce a film promoting his neoliberal ideology. In his autobiography the [[Milton Friedman|Friedman]] recalls his first meetings with Video Arts Television on their future production of the 1980 neoliberal polemical documentary ''[[Free to Choose]]'':
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After failing to find a production company in the United States sufficiently committed to the neoliberal philosophy, [[Milton Friedman]] and his allies turned to Video Arts Television to produce a film promoting his neoliberal programme. In his autobiography the [[Milton Friedman|Friedman]] recalls his first meetings with Video Arts Television on their future production of the 1980 neoliberal polemical documentary ''[[Free to Choose]]'':
  
 
<blockquote style="background-color:ivory;border:1pt solid Darkgoldenrod;padding:1%;font-size:10pt">Bob had been planning a trip to London to talk to the BBC about its interest in acquiring the program when it was completed and to talk with possible producers... By far the most important interview was with [[Antony Jay]], recommended by [[Ralph Harris]] [Director General of the [[Institute of Economic Affairs]]] as “a Friedman fan” (initially from reading my ''Playboy'' interview). Jay was a partner in Video Arts, a television production company formed by ex-BBC employees who had wanted to escape bureaucracy… [Later] Bob and I took off on September 20 for London, where we had extensive discussions with [[Antony Jay]] and two of his partners who were to be the most closely involved in the production of ''[[Free to Choose]]'', [[Michael Peacock]], managing director and [[Robert Reid]], chairman. In addition, Peacock arranged for us to interview Michael Latham as a potential producer. Unlike the producers we had interviewed in the United States, both the Video Arts trio and [[Michael Latham]] were sympathetic to our philosophy and enthusiastic about producing a documentary to present it. <ref>Rose D. Friedman, ''[http://books.google.co.uk/books?id=6l0_vQ1zpI8C&printsec=frontcover&source=gbs_navlinks_s#v=onepage&q=&f=false Two Lucky People: Memoirs]'' (University of Chicago Press, 1999) p.475-6</ref></blockquote>
 
<blockquote style="background-color:ivory;border:1pt solid Darkgoldenrod;padding:1%;font-size:10pt">Bob had been planning a trip to London to talk to the BBC about its interest in acquiring the program when it was completed and to talk with possible producers... By far the most important interview was with [[Antony Jay]], recommended by [[Ralph Harris]] [Director General of the [[Institute of Economic Affairs]]] as “a Friedman fan” (initially from reading my ''Playboy'' interview). Jay was a partner in Video Arts, a television production company formed by ex-BBC employees who had wanted to escape bureaucracy… [Later] Bob and I took off on September 20 for London, where we had extensive discussions with [[Antony Jay]] and two of his partners who were to be the most closely involved in the production of ''[[Free to Choose]]'', [[Michael Peacock]], managing director and [[Robert Reid]], chairman. In addition, Peacock arranged for us to interview Michael Latham as a potential producer. Unlike the producers we had interviewed in the United States, both the Video Arts trio and [[Michael Latham]] were sympathetic to our philosophy and enthusiastic about producing a documentary to present it. <ref>Rose D. Friedman, ''[http://books.google.co.uk/books?id=6l0_vQ1zpI8C&printsec=frontcover&source=gbs_navlinks_s#v=onepage&q=&f=false Two Lucky People: Memoirs]'' (University of Chicago Press, 1999) p.475-6</ref></blockquote>

Revision as of 15:03, 9 October 2009

"Interesting that Britain, the fatherland of the welfare state and the home of a major avowedly socialist party, should be where we would find producers sympathetic to free markets.” – Milton Friedman [1]

Video Arts Television Ltd was a television production company which produced a number of documentary films promoting neoliberal ideology. It was incorporated in 1978, and was then affiliated with Video Arts, a training film company owned by comedian John Cleese. In 1992 the company was acquired by Media Ventures International and became Pavillion International.

Free to Choose

After failing to find a production company in the United States sufficiently committed to the neoliberal philosophy, Milton Friedman and his allies turned to Video Arts Television to produce a film promoting his neoliberal programme. In his autobiography the Friedman recalls his first meetings with Video Arts Television on their future production of the 1980 neoliberal polemical documentary Free to Choose:

Bob had been planning a trip to London to talk to the BBC about its interest in acquiring the program when it was completed and to talk with possible producers... By far the most important interview was with Antony Jay, recommended by Ralph Harris [Director General of the Institute of Economic Affairs] as “a Friedman fan” (initially from reading my Playboy interview). Jay was a partner in Video Arts, a television production company formed by ex-BBC employees who had wanted to escape bureaucracy… [Later] Bob and I took off on September 20 for London, where we had extensive discussions with Antony Jay and two of his partners who were to be the most closely involved in the production of Free to Choose, Michael Peacock, managing director and Robert Reid, chairman. In addition, Peacock arranged for us to interview Michael Latham as a potential producer. Unlike the producers we had interviewed in the United States, both the Video Arts trio and Michael Latham were sympathetic to our philosophy and enthusiastic about producing a documentary to present it. [2]

Filmography from the (British Film Institute)

ADVENTURES: TAMING THE LION (1991) | Q.E.D.: Granny's Greatest Thrill (1991) | Q.E.D.: On His Own Two Feet (1991) | EQUINOX: The Winning Streak (1990) | The MAD COW MYSTERY (1990) | INSIDE STORY: RETURN TO HIROSHIMA (1990) | Q.E.D.: Back to the Drawing Board (1990) | EQUINOX: INVASION OF THE BODY SCANNERS (1989) | DISPATCHES: PRIVATIZING POLAND (1989) | FAIRLY SECRET ARMY: TREACHEROUS CHAPS, CAUSES (1986) | FAIRLY SECRET ARMY: YOU'RE GOING TO BE A HERO, HARRY (1986) | FAIRLY SECRET ARMY: EVER TRIED MAKING LOVE TO A MARXIST? (1986) | FAIRLY SECRET ARMY: ONE MISTAKE, WHOLE CABOOSH PLUGHOLE (1986) | FAIRLY SECRET ARMY: THIS COULD BE EXTREMELY DANGEROUS, SIR (1986) | QUEST FOR THE KILLERS (1986) | FAIRLY SECRET ARMY: ODD CHAPS, WOMEN (1986) | FAIRLY SECRET ARMY: I'VE GOT A JOB FOR YOU (1986) | FROM THE FACE OF THE EARTH: VACCINE ON TRIAL (1985) | The ART OF THE IMPOSSIBLE (1985) | HEYEK - HIS LIFE AND THOUGHT: Revival of classical liberalism (1985) | HEYEK - HIS LIFE AND THOUGHT: Keynes and the Depression and The road to serfdom (1985) | HEYEK - HIS LIFE AND THOUGHT: Origins in Vienna (1985) | FAIRLY SECRET ARMY: WHEN THE TALKING HAD TO STOP (1984) | FAIRLY SECRET ARMY: EIGHT BODS... NEED MORE (1984) | FAIRLY SECRET ARMY: The PULSES QUICKEN (1984) | FAIRLY SECRET ARMY: ROMANCE PLUGHOLE (1984) | FAIRLY SECRET ARMY: OPERATION CHARM (1984) | FAIRLY SECRET ARMY: A CHAP WORTH FOLLOWING (1984) | The ARABS - A LIVING HISTORY: The ARABS NOW (1983) | The ARABS - A LIVING HISTORY: FAMILY TIES (1983) | The ARABS - A LIVING HISTORY: BUILDING A NATION (1983) | The ARABS - A LIVING HISTORY: The SHADOW OF THE WEST (1983) | The ARABS - A LIVING HISTORY: WAYS OF FAITH (1983) | The ARABS - A LIVING HISTORY: NEW KNOWLEDGE FOR OLD (1983) | The ARABS - A LIVING HISTORY: The POWER OF THE WORD (1983) | The ARABS - A LIVING HISTORY: The CITY VICTORIOUS (1983) | The ARABS - A LIVING HISTORY: BETWEEN TWO WORLDS (1983) | The ARABS - A LIVING HISTORY: The MAKING OF THE ARABS (1983) | REPORT TO THE NATION: Nationalisation (1983) | START HERE - ADVENTURES INTO SCIENCE: Make a noise! (1983) | START HERE - ADVENTURES INTO SCIENCE: The fantastic power of air (1983) | MANSION HOUSE SQUARE (1983) | FOUNDATIONS OF WEALTH: The mixed economy (1983) | FOUNDATIONS OF WEALTH: Supply, demand and price - price and the producer (1983) | FOUNDATIONS OF WEALTH: Supply, demand and price - price and the consumer (1983) | FOUNDATIONS OF WEALTH: Money (1983) | FOUNDATIONS OF WEALTH: The market (1983) | START HERE - ADVENTURES INTO SCIENCE: The liquid show (1982) | START HERE - ADVENTURES INTO SCIENCE: Jumping molecules (1982) | START HERE - ADVENTURES INTO SCIENCE: Stop and go (1982) | START HERE - ADVENTURES INTO SCIENCE: The invisible force (1982) | START HERE - ADVENTURES INTO SCIENCE: Mix a material (1982) | START HERE - ADVENTURES INTO SCIENCE: Air at work (1982) | START HERE - ADVENTURES INTO SCIENCE: Build your own machines (1982) | START HERE - ADVENTURES INTO SCIENCE: The electric universe (1982) | START HERE - ADVENTURES INTO SCIENCE: Quick as light (1982) | START HERE - ADVENTURES INTO SCIENCE: The amazing magnet (1982) | The SEARCH FOR ALEXANDER THE GREAT (1981) | FREE TO CHOOSE: HOW TO CURE INFLATION (1980) | FREE TO CHOOSE: WHO PROTECTS THE CONSUMER? (1980) | FREE TO CHOOSE: CREATED EQUAL (1980) | FREE TO CHOOSE: From cradle to grave (1980) | FREE TO CHOOSE: The tyranny of control (1980) | FREE TO CHOOSE: The power of the market (1980) | FREE TO CHOOSE: How to stay free (1980) | FREE TO CHOOSE: Who protects the worker? (1980) | FREE TO CHOOSE: What's wrong with our schools? (1980) | FREE TO CHOOSE: Anatomy of crisis (1980) | FREE TO CHOOSE: FREETIME (1970) [3]

Notes

  1. Rose D. Friedman, Two Lucky People: Memoirs (University of Chicago Press, 1999) p.475
  2. Rose D. Friedman, Two Lucky People: Memoirs (University of Chicago Press, 1999) p.475-6
  3. BFI Film & TV Database, Video Arts Television Filmography] [Accessed 9 October 2009]