Exodus - Revision history

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Larry Portis provides an overview of Exodus:
:There is an important qualification to make before any attempt to compare these films. The problem is that discussing the narrative content of Preminger's film Exodus would not be legitimate without speaking of Exodus the novel, written by Leon Uris. Not only were both film and novel tremendous commercial successes, they were conceived of as the two indispensable axes of a single project.<br>It was Dore Schary, a top executive at Metro-Goldwyn-Mayer (MGM) who suggested the idea for the book to Leon Uris. As Kathleen Christison [http://www.counterpunch.org/kchristison0715.htm explains], the whole project "began with a prominent public-relations consultant who in the early 1950s decided that the United States was too apathetic about Israel's struggle for survival and recognition." Thanks to Schary, Uris received a contract from Doubleday and went to Israel and Cyprus where he carried out extensive research. The book was published in September, 1958. It was first re-printed in October the following year. By 1964, it had gone through 30 printings. This success was undoubtedly helped by the film's release in 1960, but not entirely, as Uris's novel was a book-of-the-month club selection in September 1959 (which perhaps explains the first re-printing).<br>The film was to be made by MGM. But when the time came, the studio hesitated. The project was perhaps too political for the big producers. It was then that Otto Preminger bought the screen rights from MGM. He produced and directed the film, featuring an all-star cast including Paul Newman, Eva Marie-Saint, Lee J. Cobb, Sal Mineo, Peter Lawford and other box-office draws of the moment. The film also benefited from a lavish production in “superpanavision 70” after having been filmed on location. The music was composed by Ernest Gold, for which he received an Academy Award for the best music score of 1960. The screenplay was written by Dalton Trumbo. In spite of its length—three and a half hours—the film was a tremendous popular and critical success.<br>It is noteworthy that the release of Exodus the film in 1960 indicates that its production began upon Exodus the book's publication. It is reasonable, therefore, to suppose a degree of coordination, in keeping with the origins of the project.{{ref|portis1}}

==People Involved in producing Exodus==
*[[Dore Schary]]
*[[Dalton Trumbo]]
*[[Otto Preminger]]

==Resources==
*{{note|portis1}}Larry Portis, [http://www.counterpunch.org/portis01182007.html Zionism in the Cinema - Part One], CounterPunch, 18 January 2007.

← Older revision		Revision as of 20:50, 19 March 2009
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	*{{note\|portis1}}Larry Portis, [http://www.counterpunch.org/portis01182007.html Zionism in the Cinema - Part One], CounterPunch, 18 January 2007.		*{{note\|portis1}}Larry Portis, [http://www.counterpunch.org/portis01182007.html Zionism in the Cinema - Part One], CounterPunch, 18 January 2007.

−	[[Category:~~Culture wars and Historical Engineering with films~~]]	+	[[Category:Films]]

← Older revision		Revision as of 11:55, 4 April 2007
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	*Kathleen Christison, [http://www.counterpunch.org/kchristison0715.html The Image Problem]: The History of Anti-Palestinian Bias from Wilson to Bush, CounterPunch, 15 July 2002.		*Kathleen Christison, [http://www.counterpunch.org/kchristison0715.html The Image Problem]: The History of Anti-Palestinian Bias from Wilson to Bush, CounterPunch, 15 July 2002.
	*{{note\|portis1}}Larry Portis, [http://www.counterpunch.org/portis01182007.html Zionism in the Cinema - Part One], CounterPunch, 18 January 2007.		*{{note\|portis1}}Larry Portis, [http://www.counterpunch.org/portis01182007.html Zionism in the Cinema - Part One], CounterPunch, 18 January 2007.
		+
		+	[[Category:Culture wars and Historical Engineering with films]]

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 ==Resources==
-*Kathleen Christison, [http://www.counterpunch.org/kchristison0715.html The Image Problem]: The History of Anti-Palestinian
+*Kathleen Christison, [http://www.counterpunch.org/kchristison0715.html The Image Problem]: The History of Anti-Palestinian Bias from Wilson to Bush, CounterPunch, 15 July 2002.
 *{{note|portis1}}Larry Portis, [http://www.counterpunch.org/portis01182007.html Zionism in the Cinema - Part One], CounterPunch, 18 January 2007.

@@ Line 1: / Line 1: @@
 Larry Portis provides an overview of Exodus:
-:There is an important qualification to make before any attempt to compare these films. The problem is that discussing the narrative content of Preminger's film Exodus would not be legitimate without speaking of Exodus the novel, written by Leon Uris. Not only were both film and novel tremendous commercial successes, they were conceived of as the two indispensable axes of a single project.<br>It was Dore Schary, a top executive at Metro-Goldwyn-Mayer (MGM) who suggested the idea for the book to Leon Uris. As Kathleen Christison [http://www.counterpunch.org/kchristison0715.htm explains], the whole project "began with a prominent public-relations consultant who in the early 1950s decided that the United States was too apathetic about Israel's struggle for survival and recognition." Thanks to Schary, Uris received a contract from Doubleday and went to Israel and Cyprus where he carried out extensive research. The book was published in September, 1958. It was first re-printed in October the following year. By 1964, it had gone through 30 printings. This success was undoubtedly helped by the film's release in 1960, but not entirely, as Uris's novel was a book-of-the-month club selection in September 1959 (which perhaps explains the first re-printing).<br>The film was to be made by MGM. But when the time came, the studio hesitated. The project was perhaps too political for the big producers. It was then that Otto Preminger bought the screen rights from MGM. He produced and directed the film, featuring an all-star cast including Paul Newman, Eva Marie-Saint, Lee J. Cobb, Sal Mineo, Peter Lawford and other box-office draws of the moment. The film also benefited from a lavish production in “superpanavision 70” after having been filmed on location. The music was composed by Ernest Gold, for which he received an Academy Award for the best music score of 1960. The screenplay was written by Dalton Trumbo. In spite of its length—three and a half hours—the film was a tremendous popular and critical success.<br>It is noteworthy that the release of Exodus the film in 1960 indicates that its production began upon Exodus the book's publication. It is reasonable, therefore, to suppose a degree of coordination, in keeping with the origins of the project.{{ref|portis1}}
+:There is an important qualification to make before any attempt to compare these films. The problem is that discussing the narrative content of Preminger's film Exodus would not be legitimate without speaking of Exodus the novel, written by Leon Uris. Not only were both film and novel tremendous commercial successes, they were conceived of as the two indispensable axes of a single project.<br>It was Dore Schary, a top executive at Metro-Goldwyn-Mayer (MGM) who suggested the idea for the book to Leon Uris. As Kathleen Christison [http://www.counterpunch.org/kchristison0715.html explains], the whole project "began with a prominent public-relations consultant who in the early 1950s decided that the United States was too apathetic about Israel's struggle for survival and recognition." Thanks to Schary, Uris received a contract from Doubleday and went to Israel and Cyprus where he carried out extensive research. The book was published in September, 1958. It was first re-printed in October the following year. By 1964, it had gone through 30 printings. This success was undoubtedly helped by the film's release in 1960, but not entirely, as Uris's novel was a book-of-the-month club selection in September 1959 (which perhaps explains the first re-printing).<br>The film was to be made by MGM. But when the time came, the studio hesitated. The project was perhaps too political for the big producers. It was then that Otto Preminger bought the screen rights from MGM. He produced and directed the film, featuring an all-star cast including Paul Newman, Eva Marie-Saint, Lee J. Cobb, Sal Mineo, Peter Lawford and other box-office draws of the moment. The film also benefited from a lavish production in “superpanavision 70” after having been filmed on location. The music was composed by Ernest Gold, for which he received an Academy Award for the best music score of 1960. The screenplay was written by Dalton Trumbo. In spite of its length—three and a half hours—the film was a tremendous popular and critical success.<br>It is noteworthy that the release of Exodus the film in 1960 indicates that its production began upon Exodus the book's publication. It is reasonable, therefore, to suppose a degree of coordination, in keeping with the origins of the project.{{ref|portis1}}
 ==People Involved in producing Exodus==
@@ Line 9: / Line 9: @@
 ==Resources==
 *{{note|portis1}}Larry Portis, [http://www.counterpunch.org/portis01182007.html Zionism in the Cinema - Part One], CounterPunch, 18 January 2007.